Ahmad Shukri-1998-mixed media on canvas-72x73 cm-.....

 

Ahmad Shukri Mohamed's artistic journey unfolds as a captivating evolution, navigating from the realms of traditional painting to a dynamic fusion of texture, three-dimensionality, and mixed media. The early chapters, epitomized by the "Hope, Dishonest" series, reflect a departure from the pristine canvas, employing playful collage techniques and vivid imagery to delve into societal hierarchies.

Under the guiding influence of mentor Fauzan Omar, Ahmad Shukri embraces the realms of deconstruction and collage, evident in later masterpieces like "Camouflage II." This work, a commentary on nature's exploitation, ingeniously combines silkscreen with mounted butterflies, introducing recognizable motifs such as butterflies and chess pieces that contribute to the establishment of an "international style."

Beyond the surface allure of glossy varnishes, Shukri's art harbors a potent social commentary, addressing contemporary issues like the pitfalls of modern entertainment and the meteoric rise of instant celebrity culture, notably encapsulated in the evocative "Kedai Hiburan" series. Personal experiences are laid bare in pieces like "Timer Bomb," where Electrocardiogram prints and references to the 2004 tsunami tragedy infuse his emotions into the canvas.

In his recent works, a noticeable shift towards simplicity unfolds, featuring exposed backgrounds and artistic spontaneity. Ahmad Shukri's art transcends mere visual engagement; it weaves a rich tapestry of societal reflections and personal narratives, rendering it not only accessible but profoundly thought-provoking. Each piece invites the viewer on a visual and emotional journey, exploring the layers of meaning and complexity within the artist's evolving oeuvre.

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This painting by Lim Kim Hai is now available in our gallery..Anyone interested pls call or whatsapp Lanie 014 2427760

Lim Kim Hai, the iconic Malaysian art master born in 1950, embarked on a profound artistic journey that revolves around a singular subject—apples. His canvas becomes a realm where plump and thriving life is symbolized by the sturdy and durable apples. Through skillful strokes, he imparts a sheen and angle to each apple, creating a floating illusion that extends into an infinite space on the 2D canvas.

For Lim Kim Hai, each brushstroke is a metaphor for life's journey, replete with uncertainties and challenges. His commitment to a constant exploration of apples reflects not only the challenges inherent in the artistic process but also the broader challenges of existence. The apples, varying in their resilience and sheen, serve as a visual narrative for the diverse experiences one encounters on the path of life.

Having studied at the Nanyang Academy of Fine Arts in Singapore and the Ecole Nationale Superieure des Beaux Art in Paris, Lim Kim Hai's artistic prowess gained international acclaim. Awards such as the Golden Award from Salon des Artists Fancais in 1982, Silver from Salon Internationale, Du Val D’Or, France in 1984, and Prix Henri Lehman from Institut de France, Academy des Beaux in 1986, attest to the recognition of his artistic contribution.

Lim Kim Hai's impact extends beyond accolades; major financial institutions such as Hong Leong Bank Berhad, Malayan Banking Berhad, RHB Bank Berhad, and United Overseas Bank Limited have acquired his paintings. The Embassy of France in Singapore also holds his work in high regard, further solidifying his position in the global art scene.

Lim Kim Hai's life mission in his art journey is to delve into the depths of a single subject—apples. This dedication is not only a testament to his artistic prowess but also a commitment to providing viewers with a sustained exploration of his unique perspective on life. Through the lens of apples, Lim Kim Hai invites us to contemplate the complexities, uncertainties, and thriving resilience inherent in the human experience.

Lim Kim Hai's artistic journey transcends the canvas; it is a profound exploration of life, intricately woven into each stroke that breathes life into the apple. The fruit becomes a vessel for the human spirit and a reflection of life's purpose, its many shapes and colors weaving a symbolic narrative of the myriad circumstances and situations that define our existence.

In the vivid palette of my art, the blood-red apple emerges, a poignant symbol of violence, echoing the challenges and struggles inherent in the human experience. Alongside it, the tender green variety exudes the bashfulness of youth, mirroring the universal journey of confronting challenges in the relentless pursuit of survival in the real world.

The question lingers: why do I persist in painting apples throughout the years? The answer lies in a special affinity I hold for this fruit—a constant companion that has witnessed every chapter of my life. Whether in the tumultuous times preceding my commitment to art as a profession or in the present, where I stand as a full-time artist, the apple remains a steadfast presence, an anchor through the ebb and flow of life.

More than a subject on canvas, the apple becomes a mirror to my own evolution. It encapsulates the moments of uncertainty and the triumphs that mark my personal journey. Each brushstroke not only explores the nuances of the apple but also embarks on a reflective journey through the layers of my own existence.

This enduring connection with the apple transcends the artistic realm; it is a personal odyssey, a visual diary of growth and resilience. As I continue to paint this familiar fruit, I celebrate not only its symbolic richness but also the enduring bond it shares with the intricate threads of my own life. The apple, in its simplicity, becomes a profound reflection of the artist's soul, a testament to the resilience and beauty found in embracing life's ever-changing seasons.

 

This painting by Datuk Ibrahim Hussein is now available in our gallery, anyone interested pls call or whatsapp Lanie 014 2427760 ( COLLECTED )

 Datuk Ibrahim Hussein, born in a humble rural village in Kedah, Malaysia, in 1936, emerged as a distinguished artist and cultural icon whose life journey exemplifies resilience, creativity, and a commitment to societal betterment through art.

Despite facing adversity, including a childhood accident that left him blind in one eye, Ibrahim's determination as a young student was evident. His early talent in the arts caught the attention of a British colonial administrator who sponsored his high school education, setting the stage for his remarkable artistic journey.

In 1956, Ibrahim embarked on focused studies at the Nangyang Academy of Fine Arts, followed by a transformative period at the Byam Shaw School of Art in London, supported by a prestigious scholarship. His artistic pursuits continued at the Royal Academy Schools, where he sustained himself through odd jobs, including work as a postman and a movie extra.

Ibrahim's extensive travels fueled his artistic inspiration, and each new environment left an indelible mark on his work. Notably, the bustling billboards of New York inspired him to pioneer the printage technique, a unique blend of printmaking and collage. Upon returning to Malaysia, he seamlessly integrated natural elements like woods, reflecting the lush rainforests, into his creations.

His art took a poignant turn in response to the Malay-Chinese race riots of 1969. Witnessing the turmoil, Ibrahim created the powerful work "May 13" on a torn flag, a piece that nearly led to imprisonment. He passionately defended his creation as a plea for humanity, ultimately securing its preservation within the country but under the condition that it never be sold or removed.

Ibrahim's ability to cultivate friendships with influential figures, including a lifelong bond with the Sultan of Selangor, contributed to his artistic success. Generosity from a wealthy art collector during his studies in London and a string of prestigious awards, including the World Economic Forum's Crystal Award for cultural influence, further underscored his global impact.

One of Ibrahim's enduring legacies is the Ibrahim Hussein Museum and Cultural Foundation, a non-profit organization nestled in the Langkawi rainforest. The foundation, a culmination of years of hard work with minimal environmental impact, stands as a testament to his commitment to spreading art and culture. Following his passing in 2009, his wife, Sim, and daughter, Alia, continue to steward his foundation, ensuring that Ibrahim's dream of raising awareness and unity through art lives on.

In the tapestry of Malaysian art and culture, Datuk Ibrahim Hussein's contributions shine brightly, reflecting not only his artistic brilliance but also his unwavering dedication to using art as a catalyst for positive change.

This painting by Lui Cheng Thak is now available in our gallery, anyone interested pls call or whatsapp Lanie 014 2427760

Artist : Lui Cheng Thak

Title: Garden View 2012

Medium : Oil on Canvas

Size : 72x48"

 

This painting by Yap Chin Hoe is now available in our gallery...anyone interested pls call or whatsapp Lanie 014 2427760

 

This painting by Ahmad Shukri is now available in our gallery..anyone interested pls call or whatsapp Lanie 014 2427760

Artist : Ahmad Shukri

Year : 2011

Medium : Mixed Media on Canvas

Size : 150x137 cm

Ahmad Shukri Mohamed's artistic journey is a captivating evolution from traditional painting to a dynamic fusion of texture, three-dimensionality, and mixed media. Departing from the conventional immaculacy of canvas, his early works, like the "Hope, Dishonest" series, explore societal hierarchies through playful collage techniques and vivid imagery, setting the stage for his distinctive style.

Influenced by mentor Fauzan Omar, Ahmad Shukri embraces deconstruction and collage, evident in later works like "Camouflage II," where he comments on nature's exploitation with a mix of silkscreen and mounted butterflies. Recognizable motifs, from butterflies to chess pieces, create a universal appeal, earning his art the tag of "international style."

Beneath the glossy varnish lies a powerful social commentary, tackling issues like the pitfalls of modern entertainment and the rise of instant celebrity culture, as seen in the "Kedai Hiburan" series. Drawing on personal experiences, works like "Timer Bomb" poignantly convey the artist's emotions, featuring actual Electrocardiogram prints and referencing the 2004 tsunami tragedy.

His recent pieces reveal a shift towards simplicity, featuring exposed backgrounds and artistic spontaneity. Ahmad Shukri's art is not just visually engaging but also a rich tapestry of societal reflections and personal narratives, making it both accessible and thought-provoking.